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BRITAIN
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Richard Allison *
fl.1580–1610
w |
instrumental |
The Batchelar's Delight
(by 1599)
De la tromba pavin |
John Bennet
c.1575–after 1614 |
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William Byrd
1539/40–1623 |
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Mass for five voices
Mass for four voices |
Thomas Campion
1567–1620 |
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Robert Carver
c.1485–c.1570
(Scotland) |
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Francis Cutting *
c.1550–1595/6 |
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John Danyel *
c.1564–1626 |
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John Farmer
c.1570–c.1601 |
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Alfonso Ferrabosco the Elder
1543–1588
(born in Italy) |
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Alfonso Ferrabosco the Younger
c.1575–1628 |
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Thomas Ford
c.1580–1648 |
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Giles Farnaby
c.1563–1640 |
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John Dowland
1563–1626 |
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Anthony Holborne
c.1545–1602 |
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John Johnson *
c.1545–1594 |
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Robert Jones *
c.1577–1617 |
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Thomas Morley
1557/8–1602 |
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William Mundy *
c.1526–1591 |
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Peter Philips
c.1560–1628
(settled in Flanders) |
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Thomas Robinson *
c.1560–after 1609 |
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John Sheppard
c.1515–1558 |
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Thomas
Simpson *
1582–1628? |
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Thomas Tallis
c.1505–1585 |
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Spem in alium
Lamentations of Jeremiah |
Christopher Tye
c.1505–c.1572 |
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Thomas Weelkes
1576–1623 |
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Robert White
c.1538–1574 |
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John Wilbye
1574–1638 |
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FLANDERS
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Jacques Arcadelt
1504/5–1568
w
(settled in Italy, France) |
mass |
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Ave Maria |
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chanson |
Ahime, dov'è 'l bel viso (by 1539)
Ancidetemi pur, grievi martiri (by 1539)
Il bianco e dolce cigno (by 1539)
Margot labourez les vignes (by 1554)
La pastorella mia (1554)
Quand'io pens'al martire |
Eustace du Caurroy *
1549–1609 |
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Pierre Certon
c.1510/20–1572 |
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Jacob Clemens
(non Papa)
c.1510/5–1555/6 |
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Guillaume Costeley *
1530/1–1606 |
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Thomas Crecquillon
*
c.1505–1557 |
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Claude Gervaise
*
fl. c.1540–c.1560 |
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Nicolas Gombert
c.1495–c.1560 |
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Claude Goudimel *
c.1514/20–1572 |
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Clément
Janequin
c.1485–1558 |
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Orlande de Lassus
1530/2–1594 |
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Claude
Le Jeune
1528/30–1600 |
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Pierre de Manchicourt *
c.1510–1564 |
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Philippe de Monte
1521–1603 |
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Pierre Passereau
fl. 1509–1547 |
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Pierre Phalèse *
c.1510–c.1575 |
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Cipriano de Rore
1515/6–1565 |
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Claude de Sermisy
c.1490–1562 |
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Tielman Susato *
c.1500–c.1562 |
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Giaches de Wert
1535–1596 |
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Adrian Willaert
c.1490–1562 |
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FRANCE
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Adrien le Roy
c.1520–1598 |
vocal |
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| guitar |
Branle de Bourgogne 1–6
Branle gay (by 1551) |
Thoinot Arbeau
1520–1595 w |
dance |
Orchésographie
(1588)
Belle qui tiens ma vie
Branle d'Escosse
Chevaulx
Jouissane vous donneray
Malte (1568) |
Pierre Attaingnant
c.1494–1551/2
w |
dance |
Branle gay
La Brosse
La Magdelena
Tourdion, Pavane and Galliarde (by 1529) |
GERMANY
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Elias Ammerbach *
c.1530–1597
w |
organ |
Ein kurzer Dantz
Passamezzo antico
Wer das Töchterlein haben |
Johann Eccard
1553–1611 |
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Hans Neusidler
1508–1563 |
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Ludwig Senfl
c.1486–1542/3 |
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ITALY
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Felice Anerio
1560–1614 w |
motet |
Christe redemptor omnium
Christus factus est |
| madrigal |
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Filippo Azzaiolo *
fl.1557–1569 |
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Andrea Gabrieli
c.1510–1586 |
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Carlo Gesualdo
1560–1613 |
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Gioseffo Guami *
c.1540–1611 |
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Luzzasco Luzzaschi
c.1545–1607 |
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Giovanni de Macque *
c.1548–1614 |
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Giorgi Mainerio
c.1530–1582 |
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Luca Marenzio
1553–1599 |
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Claudio Merulo
1533–1604 |
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Giovanni Pierluigi da
Palestrina
c.1525–1594 |
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Missa Papae Marcelli
Stabat Mater
Missa Brevis |
Costanzo Porta
1528/9–1601 |
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Antonio Valente *
fl. 1565–1580 |
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Orazio Vecchi
1550–1605 |
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PORTUGAL
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Manuel Cardoso
1566–1650 |
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Gaspar Fernandes
c.1570–c.1629
(settled in Latin America) |
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Duarte
Lôbo
c.1565–1646 |
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SPAIN
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Antonio de Cabezón
1510–1566 |
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Hernando de Cabezón *
1541–1602 |
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Francisco Guerrero
1528–1599 |
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Alonso Lobo
1555–1617 |
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Luis de Milán
c.1500–1561? |
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Cristóbal
de Morales
c.1500–1553 |
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Alonso Mudarra
c.1510–1580 |
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Luis de Narváez
c.1500–1555/60 |
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Diego Ortiz
c.1510–1570 |
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Diego Pisador
c.1509–after 1557 |
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Enríquz de Valderrábano
c.1500–1557 |
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Tomás
Luis de Victoria
1548–1611 |
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Requiem "Officium defunctorum" |
Juan Vásquez
c.1500–c.1560 |
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